![]() ![]() "And they see the truth and that's why they gave me an opportunity. "They're looking from the outside looking in," Bradley said. Davis once suggested in his autobiography that Europe embraced jazz and black music in a way that white Americans, still uncomfortable facing black excellence, couldn't.īradley sees some truth in this estimation. In this, one can draw connection to the career of another iconic black artist: Miles Davis. Audiences took to him immediately, he explains. Give him a chance.'"īefore SXSW and the debut of his documentary Charles Bradley: The Soul of America, which gave his story the platform it deserves. "I always kept my own past clear, so one day someone could look at my past and see it and say, 'Wow. "Maybe that's why it took so long for me to get my chance at life, because I never stepped on nobody," Bradley said. However, unlike the antiheroes of those tales, faced with of so much violence and defeat, Bradley never lashed back. He's faced physical violence from racist employers, family members murdering one another and seemingly endless spirals of poverty. ![]() I ain't saying everybody's perfect, but if you carrying your cross, wear it right."įew have shouldered their crosses with more grace than Bradley. And the police forces, sometimes they're going crazy. Look on TV now, you see nothing but violence, and these are supposed to be presidents! Something's wrong. "Before it was just voting, who you picked, there wasn't all that violence. "I never thought in my whole life I would see the way the presidential election is going on today, where they fighting," Bradley said talking about the motivations driving his new album. Bradley's funk remixes years-old sounds to offer encouragement at a time when Americans are facing a pretty severe lack of good news. ![]() It's housed on the same album that opens on another cover, "God Bless America" which unironically faces the hate that has been central in this country's story. It hurts so bad!" it feels like he's speaking to deeper wounds than Ozzy Osbourne ever imagined. On the surface, the song aims to capture the indescribable pain of a lost lover, but hearing Bradley wail, "I've been going through changes. Facing so much more heartbreak, Bradley's medicine still offers a liberating sense of relief.īradley's lead single off the new album, a cover of Black Sabbath's " Changes," offers the perfect introduction to the jukes Bradley makes on the new album. ![]() On the new album Bradley sings to pains and troubles far beyond himself, those facing people of all creeds and colors at home and abroad. Song is still his release and the pain is still palpable in his voice. A breathtaking reception at 2011's SXSW sealed the deal.Įven after wrapping on another successful series of shows at the Austin festival and finishing his third album, Changes, released for first listen on NPR Tuesday, Bradley hasn't forgotten those sleepless nights and constant hustle. Those helped him hone his hip swivel and shrieking ad-libs before Gabriel Roth, co-founder of Daptone Records, heard them and offered him a shot. Before getting his break at 62 years old, Bradley essentially lived homeless, drifting between odd jobs, playing small gigs as a James Brown impersonator. Read more: We Asked 7 SXSW Artists to Design Inspirational Posters to Represent Their Musicīefore becoming one of the most compelling voices in soul, a fairly recent development. ![]()
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